Soirées Musicales
presents
Finghin Collins, pianist

Saturday, May 10, 2008

FINGHIN COLLINS has performed with such prestigious orchestras as the Chicago Symphony Orchestra, Houston Symphony Orchestra, Royal Philharmonic Orchestra, Rotterdam Philharmonic Orchestra, Orchestre de la Suisse Romande, Gulbenkian Orchestra and the City of Birmingham Symphony Orchestra, garnering consistent praise from critics and public alike. Conductors with whom Finghin has collaborated include Christoph Eschenbach, Hans Graf, Emmanuel Krivine, Nicholas McGegan, Gianandrea Noseda, Sakari Oramo, Tadaaki Otaka, Heinrich Schiff, Leonard Slatkin and Vassily Sinaisky. Since winning first prize at the Clara Haskil International Piano Competition in Vevey, Switzerland, in 1999, the Dublin-born pianist has performed throughout Europe in such prestigious venues as Birmingham's Symphony Hall, London's Wigmore Hall, Amsterdam's Concertgebouw (both halls), and Stuttgart's Liederhalle, to name a few. In the US he has also performed at Carnegie Hall, as well as at both Ravinia and Gilmore Festivals. European Festival appearances include the Klavier-Festival Ruhr and Schleswig-Holstein Musik Festival (Germany), Lockenhaus Festival (Austria), Delft International Chamber Music Festival (Holland), Chopin Festival (Poland), Musical Olympus Festival (Russia), Festival de Bellerive (Switzerland), Bergen International Chamber Music and Elverum Festival (Norway) as well as Harrogate, Chichester and Chester International Music Festivals (England) and the Septembre Musical de l'Orne (France).

From his home base in Ireland, Finghin is kept equally busy, playing with all the Irish orchestras and at major festivals throughout the country, and performing on a regular basis with the RTE National Symphony Orchestra and the Ulster Orchestra. Chamber music plays an increasingly important role in his musical life and he has collaborated with ensembles such as London Winds and the Aviv, Shanghai, Skampa, St. Petersburg, Vanbrugh, Vertavo, and Vogler String Quartets. Instrumentalists with whom he has collaborated include violinists Isabelle van Keulen, Miriam Fried, Anthony Marwood and Raphaël Oleg, cellists Alban Gerhardt, Daniel Müller-Schott and Marc Coppey, and clarinettists Michael Collins and Sharon Kam. In February 2006 Finghin made his début at New York's Lincoln Center, performing a recital at the Walter Reade Theater as part of the Great Performer Series. The music of Mozart featured prominently in his concert schedule for 2006, the 250th anniversary year of Mozart's birth. He performed concertos with the RTE National Symphony Orchestra of Ireland, the Ulster Orchestra, the Kiel Philharmonic Orchestra, the Manchester Camerata, and the Orchestra of St. Cecilia. He also marked the centenary of Shostakovitch's birth by a performance of the composer's Second Piano Concerto with London's Royal Philharmonic under Leonard Slatkin at Cadogan Hall in April 2006, and Shostakovitch's First Piano Concerto with the Hong Kong Sinfonietta conducted by Yip Wing-Sie in June 2006. Engagements in the 2006-07 season include performances with the RTE National Symphony Orchestra, the Orchestra of St. Cecilia, the Chilingirian Quartet, the ConTempo Quartet, the Callino Quartet as well as two trips to South Korea. This is in addition to an Irish tour with Dutch soprano Lenneke Ruiten and many other concerts in Ireland and Europe. In May 2005 Lyric fm released Finghin's debut solo CD album. Entitled Impromptu, it features 19 sparkling piano classics. In May 2006 Claves Records in Switzerland released a double CD set featuring the piano music of Schumann; these recordings have received glowing reviews in the international press, including "Editor's Choice" in the October 2006 issue of Gramophone Magazine, four stars in BBC Music Magazine and five Diapasons in France's Diapason Magazine.


"As soloist in Brahms' Piano Concerto No. 1 ... Collins's interpretation was both thoughtful and impetuous. He lingered over the first movement's arching second theme, for example, and offered an unusually reflective Adagio cadenza. Then came the Rondo: brisk, cleanly articulated and masterfully played."

—The San Antonio Express-News



PROGRAM


Partita No. 2 in C minor, B.W.V. 826

Sinfonia: Grave; Andante; Allegro
Allemande
Corrente
Sarabande
Rondeau
Capriccio
Sonata in C minor, Op. 111

Maestoso; Allegro con brio ed appassionato
Arietta: Adagio molto semplice e cantabile
Johann Sebastian Bach (1685-1750)






Ludwig van Beethoven (1770-1827)

INTERMISSION


Symphonic Etudes, op. 13

Robert Schumann (1810-56)